Admire the gorgeous outfits Taylor Swift wore on stage at The Eras Tour

Taylor Swift’s long-awaited Eras Tour has finally started and the singer is delivering on all fronts — from performance to vocals and, of course, fashion.

On opening weekend, Taylor Swift gave us plenty of whimsical, elegant, and nostalgic looks as we traveled with her through the eras of her career. She wore a handful of familiar styles, with slight tweaks to fit her current style, and gave us plenty of sparkle and shine. Throughout 15+ more stop stops (and counting), Taylor has given us even more memorable fashion moments.

If you are scouring the internet to find out where each look is from, fret not. Here’s a look at all the looks Taylor Swift has from during her Eras Tour — from opening night in Glendale, Arizona, to some of her most recent shows in New Jersey and Chicago — and what you can expect to see her wear if you plan on attending one of the upcoming shows.

1. Lover era

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The first era is Lover, a time that signified growth, comfort, and basking in the glow of the daylight. Taylor starts the night off in a custom Versace bodysuit, bright and bold. She pairs it with an equally shiny pair of custom, studded Louboutin boots. Night one’s bodysuit was a playful, iridescent purple color, and she opted for a slightly more elegant, gold-colored one for the second night of the Eras tour kickoff weekend.

The shoes are sparkly, but they aren’t really the star of the show until she puts on a blazer, also studded, and also Versace, and performs “The Man.” The shoes instantly grabbed the spotlight as she kicked her heels up and flashed the red bottoms. This is the first of several pairs of custom Louboutins that Taylor wears throughout the night – they’re the sole footwear provider for the tour, just like during the Reputation tour.

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At her show at MetLife Stadium in New Jersey, the star debuted a new Versace bodysuit that sparkled even brighter than the original one she wore. There are brighter crystals, shining in purple, and extra details, like tassels down her thigh. She paired the new bodysuit with a pair of ombré bedazzled Versace heels, also in purple. Adorning her neck was the Versace Crystal Butterflies Chain Necklace to complete the look.

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2. Fearless era

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In a seamless transition to the era that sealed the deal for her as a stage performer and style icon, the Fearless era portion of the night brought back shimmery dresses made to move around. The boots stay on, but she trades out the sparkly bodysuit to dance in a storm in her best dress.

One of the big themes in her clothes throughout the night is fringe, which becomes an accessory to the singer as she moves around the stage and dances around singing her best hits. This custom Roberto Cavalli dress allows her to do just that, move around freely and shine bright.

On the second night of the tour, Taylor opted for fringe down the legs in another Roberto Cavalli custom dress embellished with Swarovski crystals. Again, the movements looked just as mesmerizing in this dress as the first night.

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As the tour has continued, Taylor has debuted another equally stunning dress to embody the Fearless era. The dress is similar to her custom Roberto Cavalli dress with fringe down her leg, but in silver.

3. Acoustic interlude

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During the opening night, Taylor referenced her debut era playing her first-ever hit song, “Tim McGraw.” This era falls into an acoustic set, where Taylor does one of her favorite things: She plays two surprise songs each night to give every fan a unique experience during the show they choose to attend.  The acoustic, slowed-down portion of the show gives the fans a breather, a time to connect with their favorite singer as she’s able to take a seat at the piano and chat with the crowd before she gives a surprise performance.

During this segment, she has so far worn a Jessica Jones dress with ruffles that hug her frame as she sits by the piano. The first night she wore a magenta-colored version of the dress. On night two, it was green. We first wondered if we’d see more colors as the tour continued and TSwift delivered. She’s also worn the stunning dress in a yellow shade as well.

4. evermore era

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Next up is evermore era, for which Taylor wears a simple but bright mustard dress from Etro, also custom. To perform the songs from this quaint but grand era, the stage is set with trees along a foggy backdrop. The tone of the show shifts here. This is where Taylor gets to sit at the piano and commandeer the crowd with her lyrics. There is no need for fringe and sparkles as the crowd sings along at the top of their lungs to “champagne problems” to accompany her.

5. Reputation era

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During the Reputation tour, Taylor made a bold choice to abandon the pants and embrace the bodysuit. She brings that energy back to represent this era with one of the fiercest ones we’ve ever seen her in; an asymmetrical, show-stopping black and red colored custom Roberto Cavalli one. As we’ve realized by now, nothing on this tour will be dull on the sparkle, and this number features sequins studded along the leg in that infamous snake pattern familiar to this era.

6. Speak Now era

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To sing one singular song from the Speak Now era, the fan-favorite “Enchanted,” Taylor emerges ready to impress. You can’t help but be enchanted by the soft glow reflecting off the sparkles of the Nicole + Felicia Couture bespoke gown she’s wearing. This is reminiscent of the Valentino gown she wore when she sang this song on the Speak Now tour but grander, and of course, with more bling.

On night two of the tour in Glendale, Arizona, Taylor switched up this look and gave the audience an equally shiny but slightly different look, opting for a Zuhair Murad Couture custom gown with a starburst design embellishment.

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This portion of the show is where she’s been able to switch it up the most. As the tour progressed, the star has given us plenty of glorious gowns to “ooh” and “aah” at. Another Zuhair Murad Couture custom gown was added to the Speak Now era collection, with thousands of sequins sewn on in a starburst design.

Some nights, she graces the stage in an Elie Saab Fall 2020 Couture gown that is full of tulle and drama. Other nights, she opts for something a bit more simple, but elegant: an Ellie Saab Couture gown from Fall/Winter 2022, straight from the runway that has fabric flowers sewn down the bottom half of the dress. This dress’s train drags behind her as she walks down the catwalk of the massive stage softly and slowly, matching the tone of the song.

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7. Red era

The next era is introduced in a spirited manner as Taylor revisits a popularly recreated look: the “Not A Lot Going On At The Moment” T-Shirt from the “22” music video. This look is paired with a Gladys Tamez hat that she gives to a lucky audience member during the performance.

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On the second night of the tour, she opted to poke a bit of fun at herself with a T-shirt that read “Who’s Taylor Swift Anyway? Ew” after lyrics from the song “22” instead.

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As the North American tour reached its halfway point, she introduced another shirt that says, “We Are Never Getting Back Together, Like Ever.” The sequined shirts are all custom by Ashish, who also made the original shirt in the “22” music video. Once the t-shirt is removed, a beautiful red-to-black ombré bodysuit is revealed, fittingly so for the Red era.

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When it’s time to sing her magnum opus, “All Too Well (10 Minute Version) (Taylor’s Version),” a sparkly red overcoat is added atop the already striking bodysuit. She puts her best foot forward for a song that has a story as remarkable as her career, with a red guitar to match.

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She also used this time, for the first half of the tour, to bring out her collaborator and tour opener Phoebe Bridgers to sing their acoustic and emotional song “Nothing New.” On Bridgers’s last night on the Eras tour, Swift showed off a chain around her neck that held a small pendant. It was later revealed that the pendant was the Give You The Moon Charm from Phoebe Bridgers’ Catbird collection. Her footwear for this portion of the show is a seemingly comfortable pair of loafers from Louboutin.

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8. folklore era

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For the folklore portion, we see the singer in a beautiful, muted purple Alberta Ferretti dress full of ruffles and flares. It’s “fairy in the woods meets cozy baking in a cottage,” which are exactly the right vibes of this imaginative and rustic era.

During her performance of “august,” Taylor uses body movements across the stage to express her frustration, and the lavender-toned dress added the perfect amount of drama and flair to the performance. As she moved, the chiffon fabric moved along with her seamlessly. On night two, she wore a similarly graceful Alberta Ferretti dress, but in white. It had curtain drapes with delicate hanging threads, adding a beautiful texture to its movement.

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Taylor loves to swiftly move around the stage in various Alberta Ferretti dresses during the most emotional portions of the folklore era. She’s shown us two more versions of custom dresses that were created for this portion of the show.

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9. 1989 era

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As the night progresses, we see more and more fringe. How else would we see the iconic “Shake It Off” movements except in another Roberto Cavalli custom two-piece set covered in chunky fringe with sequins in various shapes and sizes? This look is similar to what the singer wore on her 1989 tour.

On the first night of the tour, the co-ord set was magenta. On the second night of the tour, she swapped it for the same set, except in bright green.

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As the tour has continued, the pop queen has added an additional color to the 1989 co-ord repertoire. We’ve now seen the same Roberto Cavalli set in orange as well. How many colors will we see in total throughout the tour?

10. Midnights era

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ch the present-day era, Midnights, we get to the peak of extravagance and pomp. It’s time to celebrate the eras past that have allowed Taylor to become the artist and performer she is today. The dress she chose to perform the culmination of her career is a custom Oscar De La Renta that’s looser fitting but still heavy and studded in iridescent crystals. It’s paired with a new set of custom Louboutins studded in black crystals. To add more drama, she has a fur coat on, also a custom piece from Oscar De La Renta. Everything about this look screams “Bejeweled,” a song placed near the end of the setlist but a vibe that’s exuded for the entirety of the night.

As this era progresses, she sheds layers. The dress is shed to reveal an Oscar De La Renta custom bodysuit, an article of clothing she seems to be very comfortable performing in. This time, there’s black detailing. It’s soft but striking and just sexy enough to perform the Cell Block Tango-esque choreography to “Vigilante Sh*t” with chairs and all. She even added a garter to her thigh to give a bit of a sexy edge to complete the look.

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To finish off the show, another layer is added with even more fringe and even more sparkle, if that’s even possible. This multi-colored statement piece is fabulous, and it’s a perfect way to physically represent just what the last three hours and 15 minutes were all about: Taylor celebrating and shining with the 70,000 other people in the room with her.

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