“You know I’m going to always go with Eminem—period, point blank,” Obie told HipHopDX. “I will sаy that Mаchine Gu𝚗 Kelly was probably the best record that I heard that ever dissed Eminem. He’s had a lot of discord with other people. I think that was probably the best one that came out.”

Eminem, often hailed as the king of diss tracks, has been the target of numerous lyrical attacks throughout his career. From the iconic “The Real Slim Shady” to the more recent “Killshot,” Eminem’s responses have become legendary in their own right. However, Obie Trice’s endorsement of “Rap Devil” challenges the status quo, prompting fans to reevaluate the hierarchy of diss tracks within the Eminem canon.

Diss tracks have long been a driving force in the evolution of hip-hop, serving as a platform for artists to assert their dominance, settle feuds, and captivate audiences. Obie Trice’s perspective on “Rap Devil” not only adds a new chapter to the ongoing narrative of hip-hop rivalries but also underscores the subjective nature of musical preferences and interpretations.

Obie Trice’s assertion that Machine Gun Kelly’s “Rap Devil” reigns supreme as the ultimate Eminem diss track invites fans and critics to revisit the rich history of lyrical clashes in hip-hop. While opinions on the matter may vary, Trice’s unexpected endorsement sparks a renewed conversation about the enduring impact of diss tracks and their ability to redefine the narrative within the rap genre. As the debate continues, one thing remains certain – the world of hip-hop thrives on the intensity and creativity that diss tracks bring to the table.