The album, acclaimed by both fans and critics, will likely compete against Taylor Swift’s new LP at the music awards show next year
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Beyoncé deserves to finally lasso herself an album of the year win.
Late last month, the 42-year-old music superstar released her eighth studio album, “Cowboy Carter,” marking the second installment in a planned trilogy following 2022’s “Renaissance.”
True to Beyoncé’s versatile style, the LP offers a rich tapestry of musical genres. Conceptualized as a radio broadcast by the fictional KNTRY Radio Texas, it features country icons Dolly Parton, Willie Nelson, and Linda Martell as disc jockeys.
The extensive 27-track album boasts collaborations with renowned artists like Miley Cyrus and Post Malone, alongside a touching appearance by Beyoncé’s 6½-year-old daughter, Rumi. Additionally, it showcases lesser-known Black country talents such as Tanner Adell, Brittney Spencer, Tiera Kennedy, Reyna Roberts, Shaboozey, and Willie Jones. Musical legends including Stevie Wonder, Paul McCartney, Nile Rodgers, Jon Batiste, Gary Clark Jr., and Rhiannon Giddens also lend their instrumental prowess to various tracks.
Reflecting on the album’s impact and looking ahead to the 2025 Grammy Awards, Nicholas Rice, a Senior News Editor for PEOPLE, underscores why Beyoncé is deserving of the coveted Album of the Year honor for “Cowboy Carter.”
BEYONCE INSTAGRAM
Beyoncé has been nominated for album of the year four times over the past two decades — in 2010 for I Am … Sasha Fierce, in 2015 for Beyoncé, in 2017 for Lemonade and in 2023 for Renaissance. (The nominees for the 2025 Grammys will be announced sometime later this year, following the eligibility period, which runs from Sept. 16, 2023, through Aug. 30, 2024, per Billboard.)
Beyoncé’s recent venture into the country genre has garnered widespread acclaim from both fans and critics alike.
On Metacritic, a platform that aggregates reviews from various media outlets, “Cowboy Carter” achieved an impressive score of 92/100 based on 20 critic reviews.
Rolling Stone lauded the album, describing it as featuring “Beyoncé’s best vocal work on record” and highlighting its flawless production. Meanwhile, Variety hailed “Cowboy Carter” as a “masterpiece of sophisticated vocal arranging,” likening it to “a 27-course meal” that is both intricate and easily enjoyable.
The album’s critical acclaim underscores Beyoncé’s versatility and skill as an artist, as she successfully expands her musical repertoire into the country genre.
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The Bey Hive — as Beyoncé’s loyal legion of fans are collectively known — also have had high praise for the superstar and her latest musical project.
“The vocals on cowboy carter are INSANE. do not ever play with my sister!!!!” wrote one user on X (formerly Twitter).
“COWBOY CARTER IS SO GOOD I’M LITERALLY SCREAMING CRYING THROWING BEYONCÉ IS WINNING AOTY NEXT YEAR I’M CALLING IT,” said one other, as another fan added, “Cowboy Carter is really Beyoncé’s best album.”
“Cowboy Carter is such. an. insane. flex. If this doesn’t finally get Beyoncé AOTY…” one more fan wrote.
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While many praised Cowboy Carter for its impressive vocals, creative concept and clear flow, Beyoncé was also celebrated for stepping into what is seen by many as a heavily white genre as a Black woman.
In the opening track of the LP, titled “American Requiem,” Beyoncé reflects on her country roots from her upbringing in Texas. She poignantly sings, “Used to say I spoke too country / And the rejection came, said I wasn’t country enough / Said I wouldn’t saddle up, but / If that ain’t country, tell me what is?”
Linda Martell, aged 82, introduces the track “Spaghetti,” touching upon the idea that artists should not be limited to certain subjects. She states before the tune, “Genres are a funny little concept, aren’t they? / In theory, they have a simple definition that’s easy to understand / But in practice, well, some may feel confined.”
Through this album, Beyoncé not only showcases her versatility as a musical chameleon but also uses her platform to uplift other Black artists. She provides space for them to showcase their vocal talents and share their stories, illustrating how music transcends racial boundaries.
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But the music icon still knew that not everyone in the entertainment scene — or larger world, for that matter — would be as accepting or welcoming of her trying to stray from the boxes that she has been put into throughout her career.
In a past Instagram post, Beyoncé thanked fans for their early support of Cowboy Carter and detailed how it came to be. According to the star, the project was five years in the making and was “born out of an experience that I had years ago where I did not feel welcomed.” (Many fans speculated the event Beyoncé was referring to was the 2016 CMA Awards, where she performed her country tune “Daddy Lessons” off her album Lemonade alongside The Chicks.)
“And it was very clear that I wasn’t,” Beyoncé continued. “But, because of that experience, I did a deeper dive into the history of country music and studied our rich musical archive. It feels good to see how music can unite so many people around the world, while also amplifying the voices of some of the people who have dedicated so much of their lives educating on our musical history.”
She added, “The criticisms I faced when I first entered this genre forced me to propel past the limitations that were put on me. act ii is a result of challenging myself, and taking my time to bend and blend genres together to create this body of work.”
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And with that, Beyoncé knew she had a story to tell, and Cowboy Carter was released on March 29.
It eventually broke several chart records and debuted at No. 1 on the Billboard 200 chart, which marked Beyoncé’s eighth consecutive No. 1 album. (It was also the first album by a Black woman to top Billboard‘s Top Country Albums chart.)
Spotify later announced on social media that Cowboy Carter became the platform’s most-streamed album in a single day in 2024 so far.
The LP also earned the title of most streams of a country album by a female artist on Amazon Music, and it also had the biggest debut on the streaming platform, the company revealed on social media.
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Beyoncé initially surprised fans by announcing her new album during the 2024 Super Bowl in early February.
During this period, Beyoncé was featured in a Verizon commercial, where she humorously alluded to her knack for breaking the internet. Following this, she posted the trailer for her new album on Instagram, causing a frenzy among her fans.
In the wake of the viral announcement, Beyoncé released two singles from the album, namely “Texas Hold ‘Em” and “16 Carriages.”
“Texas Hold ‘Em” achieved a remarkable feat by reaching the number one position on Billboard’s Hot Country Songs chart. This historic accomplishment made Beyoncé the first Black female artist ever to claim the top spot on this chart.
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Despite the success of the two singles, Beyoncé fans were still left mostly in the dark about Cowboy Carter, which, at the time, was referred to simply as Act II, given that the singer had yet to reveal the LP’s name.
But, weeks before the album was set to drop, Beyoncé revealed the title by simply adding it and the release date to her Instagram bio and posting a shot of a saddle with a red, white and blue sash that read “Cowboy Carter” on her Instagram Stories.
Not long after, Beyoncé then revealed the album’s official artwork — a photo of herself wearing a red, white and blue outfit on a horse and holding up an American flag.
The album cover is reminiscent to that of the one she chose for Renaissance, which features her sitting on top of a luminous horse.
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Earlier this year at the 2024 Grammy Awards, JAY-Z was honored with the 2nd annual Dr. Dre Global Impact Award — in recognition of his musical legacy — and used his acceptance speech to call out the organization that honored him in defense of his wife.
The rapper, aged 54, questioned the process behind the voted categories, emphasizing the importance of getting it right or at least close to right. He acknowledged the subjective nature of music awards, given that music is inherently opinion-based.
In a seeming reference to Beyoncé, he highlighted the fact that she has accumulated more Grammys than anyone else but has never won Album of the Year. He urged the audience to consider the significance of this discrepancy, emphasizing that even by the Grammy’s own metrics, something doesn’t add up.
As the 2025 Grammys approach, and before Beyoncé potentially secures a nomination for Album of the Year, it’s evident that her universal acclaim, dedication to her craft, and fearlessness in exploring various musical territories make her undeniably deserving of finally clinching this long overdue honor.
And yet, even if she doesn’t, Beyoncé will continue to shine, as she points out on one of the tracks on Cowboy Carter, singing: “A-O-T-Y, I ain’t win (That’s cool) / I ain’t stuntin’ ’bout them / Take that s— on the chin / Come back and f— up the pen.”
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